update time:2024-08-06 12:18:08 Number of clicks:544 hits
旦行
京剧中把女性统称为"旦",其中按照人物的年龄、性格又可细分为许多行当,饰演大家闺秀和有身份的妇女称为"正旦",正旦在京剧中俗称"青衣",这就是因为正旦所扮演的角色常穿青色的长衫而得名。京剧《窦娥冤》中的女主角窦娥就是典型的青衣角色。青衣的表演庄重娴静,秀雅柔婉,以唱功为主,一般说来,青衣的唱腔旋律优美,细腻婉转。旦行中的"花旦",多扮演天真活泼或放荡泼辣的青衣妇女,在表演上注重做工和念白,例如《红娘》中的红娘."武旦"和"刀马旦"相当于生行中的武生,扮演的是擅长武艺的青壮年妇女,装扮和武生差不多,也扎靠服,她们多在剧中扮演女侠、女将甚至女仙、女妖等。武旦和刀马旦的表演往往还伴随着热闹的锣鼓点,烘托场上的气氛."老旦",指在剧中扮演老年妇女的角色行当。为突出老年人的特点,走路迈一种沉稳的横八字步,服装色调为色彩偏暗的秋香色、墨绿色,演唱用真声表现。
Role of Dan in Peking Opera
Dan is the general term in Peking Opera for female roles. As early as in the Song Dynasty(960-1279), the Zhuangdan role appeared. Southern Drama and Northern Zaju, which developed during the Song and Yuan Dynasties(960-1368), also had Dan roles. After Kunqu matured, it had Zhengdan, Xiaodan, Tidan and Laodan. Later, more Dan types were developed. Nowadays, the Dan roles are subdivided into Zhengdan (or Qingyi), Huadan, Wudan, Laodan and Caidan, in accordance with age, characteristics and social positions of the roles. Zhengdan role was the main Dan role in the Northern Zaju. Zhengdan refers to young or middle-aged women with gentle and refined dispositions. Most of Zhengdan 's lines are delivered in song, and even the spoken parts are recited in rhythmic style. Always dressed in a blue gown, Zhengdan is also called Qingyi (blue clothes). Huadan is a role for a vivacious maiden, a young woman with a frank and open personality, or a woman of questionable character. Wudan refers to female characters skilled in the martial arts and can be subdivided into Daomadan and Wudan, according to the social positions and skills represented. Daomadan is good at using pikes and spears, and at riding horses. Wudan always wears short robes and the role emphasizes acrobatics. Wudan plays gods and ghosts and has excellent fighting skills. Laodan usually represents aged women. He/She sings in their natural voices, in a style similar to that of Laosheng but in milder tones. In some types of opera, Laodan is called Fudan or Bodan. Caidan, also called Choudan, represents clownish and cunning females. The performance of this part calls for exuberance.